Lilith

Lilith is considered among the darkest of MacDonald's works, and among the most profound. It is a story concerning the nature of life, death, and salvation. In the story, MacDonald mentions a cosmic sleep that heals tortured souls, preceding the salvation of all. MacDonald was a Christian universalist, believing that all will eventually be saved. However, in this story, divine punishment is not taken lightly, and salvation is hard-won.

By : George MacDonald (1824 - 1905)

00 - Introduction



01 - The Library



02 - The Mirror



03 - The Raven



04 - Somewhere or Nowhere?



05 - The Old Church



06 - The Sexton's Cottage



07 - The Cemetery



08 - My Father's Manuscript



09 - I Repent



10 - The Bad Burrow



11 - The Evil Wood



12 - Friends and Foes



13 - The Little Ones



14 - A Crisis



15 - A Strange Hostess



16 - A Gruesome Dance



17 - A Grotesque Tragedy



18 - Dead or Alive?



19 - The White Leech



20 - Gone!--But How?



21 - The Fugitive Mother



22 - Bulika



23 - A Woman of Bulika



24 - The White Leopardess



25 - The Princess



26 - A Battle Royal



27 - The Silent Fountain



28 - I Am Silenced



29 - The Persian Cat



30 - Adam Explains



31 - The Sexton's Old Horse



32 - The Lovers and the Bags



33 - Lona's Narrative



34 - Preparation



35 - The Little Ones in Bulika



36 - Mother and Daughter



37 - The Shadow



38 - To The House of Bitterness



39 - That Night



40 - The House of Death



41 - I Am Sent



42 - I Sleep The Sleep



43 - The Dreams That Came



44 - The Waking



45 - The Journey Home



46 - The City



47 - The Endless Ending


I took a walk on Spaulding’s Farm the other afternoon. I saw the setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable and shining family had settled there in that part of the land called Concord, unknown to me,—to whom the sun was servant,—who had not gone into society in the village,—who had not been called on. I saw their park, their pleasure-ground, beyond through the wood, in Spaulding’s cranberry-meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision; their trees grew through it. I do not know whether I heard the sounds of a suppressed hilarity or not. They seemed to recline on the sunbeams. They have sons and daughters. They are quite well. The farmer’s cart-path, which leads directly through their hall, does not in the least put them out,—as the muddy bottom of a pool is sometimes seen through the reflected skies. They never heard of Spaulding, and do not know that he is their neighbor,—notwithstanding I heard him whistle as he drove his team through the house. Nothing can equal the serenity of their lives. Their coat of arms is simply a lichen. I saw it painted on the pines and oaks. Their attics were in the tops of the trees. They are of no politics. There was no noise of labor. I did not perceive that they were weaving or spinning. Yet I did detect, when the wind lulled and hearing was done away, the finest imaginable sweet musical hum,—as of a distant hive in May, which perchance was the sound of their thinking. They had no idle thoughts, and no one without could see their work, for their industry was not as in knots and excrescences embayed.

But I find it difficult to remember them. They fade irrevocably out of my mind even now while I speak and endeavor to recall them, and recollect myself. It is only after a long and serious effort to recollect my best thoughts that I become again aware of their cohabitancy. If it were not for such families as this, I think I should move out of Concord.

Thoreau: “WALKING.”

Mr. Vane, the protagonist of Lilith, owns a library that seems to be haunted by the former librarian, who looks much like a raven from the brief glimpses he catches of the wraith. After finally encountering the supposed ghost, the mysterious Mr. Raven, Vane learns that Raven had known his father; indeed, Vane's father had visited the strange parallel universe from which Raven comes and goes and now resides therein. Vane follows Raven into the world through a mirror (this symbolistic realm is described as "the region of the seven dimensions", a term taken from Jacob Boehme).

Inside the world, Vane learns of a house of beds where the dreamers sleep until the end of the world in death: a good death, in which life is found. Vane's grandfather refused to sleep there and is, instead, forced to do battle with skeletons in a haunted wood. After a treacherous journey through a valley (where the moon is the only thing to keep him safe), Mr. Vane meets the Little Ones, children who never grow up, remaining pure children or becoming selfish and getting bigger and dumber, turning into "bags" or bad giants. After conversing with Lona, the eldest of the children, Mr. Vane decides to help them, and sets off to gather more information, although the Raven (who is also Adam) has warned Mr. Vane that he needs to sleep along with the dreamers before he can really help them.

While on his journey, he meets Lilith, Adam's first wife and the princess of Bulika. Vane, although nearly blinded by Lilith's beauty and charms, eventually leads the Little Ones in a battle against Bulika. Lona, Vane's love, turns out to be Lilith's daughter, and is killed by her own mother. Lilith, however, is captured and brought to Adam and Eve at the house of death, where they struggle to make her open her hand, fused shut, in which she holds the water the Little Ones need to grow. Only when she gives it up can Lilith join the sleepers in blissful dreams, free of sin. After a long struggle, Lilith bids Adam cut her hand from her body; it is done, Lilith sleeps, and Vane is sent to bury the hand; water flows from the hole and washes the land over. Vane is then allowed to join the Little Ones, already asleep, in their dreaming. He takes his bed, next to Lona's, and finds true life in death.

Mr. Vane awakens in his home, then is afterwards unsure that he is really awake, but actually dreaming that he is awake. He does not attempt to re-enter the parallel world but waits "all the days of (his) appointed time ...till (his) change come"

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