The Country of the Pointed Firs

The Country of the Pointed Firs is considered Jewett's finest work, described by Henry James as her “beautiful little quantum of achievement.” Despite James's diminutives, the novel remains a classic. Because it is loosely structured, many critics view the book not as a novel, but a series of sketches; however, its structure is unified through both setting and theme. Jewett herself felt that her strengths as a writer lay not in plot development or dramatic tension, but in character development. Indeed, she determined early in her career to preserve a disappearing way of life, and her novel can be read as a study of the effects of isolation and hardship on the inhabitants who lived in the decaying fishing villages along the Maine coast.

Jewett died in 1909, eight years after an accident that effectively ended her writing career. Her reputation had grown during her lifetime, extending far beyond the bounds of the New England she loved.

SARAH ORNE JEWETT was born and died in South Berwick, Maine. Her father was the region's most distinguished doctor and, as a child, Jewett often accompanied him on his round of patient visits. She began writing poetry at an early age and when she was only 19 her short story “Mr. Bruce” was accepted by the Atlantic Monthly. Her association with that magazine continued, and William Dean Howells, who was editor at that time, encouraged her to publish her first book, Deephaven (1877), a collection of sketches published earlier in the Atlantic Monthly. Through her friendship with Howells, Jewett became acquainted with Boston's literary elite, including Annie Fields, with whom she developed one of the most intimate and lasting relationships of her life.

By : Sarah Orne Jewett (1849 - 1909)

01 - The Return / 02 - Mrs. Todd 03 - The Schoolhouse 04 - At the Schoolhouse Window 05 - Captain Littlepage 06 - The Waiting Place 07 - The Outer Island 08 - Green Island 09 - William 10 - Where Pennyroyal Grew 11 - The Old Singers 12 - A Strange Sail 13 - Poor Joanna 14 - The Hermitage 15 - On Shell-heap Island 16 - The Great Expedition 17 - A Country Road 18 - The Bowden Reunion 19 - The Feast's End 20 - Along Shore 21 - The Backward View

I. The Return

THERE WAS SOMETHING about the coast town of Dunnet which made it seem more attractive than other maritime villages of eastern Maine. Perhaps it was the simple fact of acquaintance with that neighborhood which made it so attaching, and gave such interest to the rocky shore and dark woods, and the few houses which seemed to be securely wedged and tree-nailed in among the ledges by the Landing. These houses made the most of their seaward view, and there was a gayety and determined floweriness in their bits of garden ground; the small-paned high windows in the peaks of their steep gables were like knowing eyes that watched the harbor and the far sea-line beyond, or looked northward all along the shore and its background of spruces and balsam firs. When one really knows a village like this and its surroundings, it is like becoming acquainted with a single person. The process of falling in love at first sight is as final as it is swift in such a case, but the growth of true friendship may be a lifelong affair.

After a first brief visit made two or three summers before in the course of a yachting cruise, a lover of Dunnet Landing returned to find the unchanged shores of the pointed firs, the same quaintness of the village with its elaborate conventionalities; all that mixture of remoteness, and childish certainty of being the centre of civilization of which her affectionate dreams had told. One evening in June, a single passenger landed upon the steamboat wharf. The tide was high, there was a fine crowd of spectators, and the younger portion of the company followed her with subdued excitement up the narrow street of the salt-aired, white-clapboarded little town.