I have not considered as ghost-poems anything but poems which related to the return of spirits to earth. They "The Blessed Damozel," a poem of spirits in heaven, "La Belle Dame Sans Merci," whose heroine may be a fairy or witch, and whose ghosts are presented in dream only, do not belong in this classification; nor do such poems as Mathilde Blind's lovely sonnet, "The Dead Are Ever with Us," class as ghost-poems; for in these the dead are living in ourselves in a half-metaphorical sense. If a poem would be a ghost-story, in short, I have considered it a ghost-poem, not otherwise.
By : Margaret Widdemer (1884 - 1978)
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This does not attempt to be an inclusive anthology. The ghostly poetry of the late war alone would have made a book as large as this; and an inclusive scheme would have ended as a six-volume Encyclopedia of Ghostly Verse. I hope that this may be called for some day. The present book has been held to the conventional limits of the type of small anthology which may be read without weariness (I hope) by the exclusion not only of many long and dreary ghost-poems, but many others which it was very hard to leave out.
I have not considered as ghost-poems anything but poems which related to the return of spirits to earth. Thus "The Blessed Damozel," a poem of spirits in heaven, "La Belle Dame Sans Merci," whose heroine may be a fairy or witch, and whose ghosts are presented in dream only, do not belong in this classification; nor do such poems as Mathilde Blind's lovely sonnet, "The Dead Are Ever with Us," class as ghost-poems; for in these the dead are living in ourselves in a half-metaphorical sense. If a poem would be a ghost-story, in short, I have considered it a ghost-poem, not otherwise.
In this connection I wish to thank Mabel Cleland Ludlum for her unwearied and intelligent assistance with the selection and compilation of the book; and Aline Kilmer for help in its revision and arrangement.
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