What's Mine's Mine

Set in the invigorating wilds of Scotland, clans are crumbling and emigrating as their homeland is bought out from under them. The characters quickly become your friends as you identify with and learn from their struggles and joys. Contrasts abound between true and false (or shallow) relationships, convictions, morals, and faith.


By : George MacDonald (1824 - 1905)

01 - How Come They There?



02 - A Short Glance over the Shoulder



03 - The Girls' First Walk



04 - The Shop in the Village



05 - The Chief



06 - Work and Wage



07 - Mother and Son



08 - A Morning Call



09 - Mr. Sercombe



10 - The Plough-Bulls



11 - The Fir-Grove



12 - Among the Hills



13 - The Lake



14 - The Wolves



15 - The Gulf that Divided



16 - The Clan Christmas



17 - Between Dancing and Supper



18 - The Story Told by Ian



19 - Rob of the Angels



20 - At the New House



21 - The Brothers



22 - The Princess



23 - The Two Pairs



24 - An Cabrach Mor



25 - The Stag's Head



26 - Annie of the Shop



27 - The Encounter



28 - A Lesson



29 - Nature



30 - Granny Angry



31 - Change



32 - Love Allodial



33 - Mercy Calls on Grannie



34 - In the Tomb



35 - At a High School



36 - A Terrible Discovery



37 - How Alister Took It



38 - Love



39 - Passion and Patience



40 - Love Glooming



41 - A Generous Dowry



42 - Mistress Conal



43 - The Marches



44 - Midnight



45 - Something Strange



46 - The Power of Darkeness



47 - The New Stance



48 - The Peat-Moss



49 - A Daring Visit



50 - The Flitting



51 - The New Village



52 - A Friendly Offer



53 - Another Expulsion



54 - Alister's Princess



55 - The Farewell


The room was handsomely furnished, but such as I would quarrel with none for calling common, for it certainly was uninteresting. Not a thing in it had to do with genuine individual choice, but merely with the fashion and custom of the class to which its occupiers belonged. It was a dining-room, of good size, appointed with all the things a dining-room "ought" to have, mostly new, and entirely expensive—mirrored sideboard in oak; heavy chairs, just the dozen, in fawn-coloured morocco seats and backs—the dining-room, in short, of a London-house inhabited by rich middle-class people. A big fire blazed in the low round-backed grate, whose flashes were reflected in the steel fender and the ugly fire-irons that were never used. A snowy cloth of linen, finer than ordinary, for there was pride in the housekeeping, covered the large dining-table, and a company, evidently a family, was eating its breakfast. But how come these people THERE?

For, supposing my reader one of the company, let him rise from the well-appointed table—its silver, bright as the complex motions of butler's elbows can make it; its china, ornate though not elegant; its ham, huge, and neither too fat nor too lean; its game-pie, with nothing to be desired in composition, or in flavour natural or artificial;—let him rise from these and go to the left of the two windows, for there are two opposite each other, the room having been enlarged by being built out: if he be such a one as I would have for a reader, might I choose—a reader whose heart, not merely his eye, mirrors what he sees—one who not merely beholds the outward shows of things, but catches a glimpse of the soul that looks out of them, whose garment and revelation they are;—if he be such, I say, he will stand, for more than a moment, speechless with something akin to that which made the morning stars sing together.

He finds himself gazing far over western seas, while yet the sun is in the east. They lie clear and cold, pale and cold, broken with islands scattering thinner to the horizon, which is jagged here and there with yet another. The ocean looks a wild, yet peaceful mingling of lake and land. Some of the islands are green from shore to shore, of low yet broken surface; others are mere rocks, with a bold front to the sea, one or two of them strange both in form and character. Over the pale blue sea hangs the pale blue sky, flecked with a few cold white clouds that look as if they disowned the earth they had got so high—though none the less her children, and doomed to descend again to her bosom. A keen little wind is out, crisping the surface of the sea in patches—a pretty large crisping to be seen from that height, for the window looks over hill above hill to the sea. Life, quiet yet eager, is all about; the solitude itself is alive, content to be a solitude because it is alive. Its life needs nothing from beyond—is independent even of the few sails of fishing boats that here and there with their red brown break the blue of the water...

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