Letters from Egypt

As a girl, Lady Duff-Gordon was noted both for her beauty and intelligence. As an author, she is most famous for this collection of letters from Egypt. Lady Duff-Gordon had tuberculosis, and went to Egypt for her health. This collection of her personal letters to her mother and her husband. By all accounts everyone loved her, and the letters are very personal in style and content. The letters are as much an introduction to her person as a record of her life on the Upper Nile.

By : Lucie Duff-Gordon (1821 - 1869)

001 - Introduction



002 - Memoir



003 - November 11, 1862: Mrs. Austin



004 - November 21, 1862: Sir Alexander Duff Gordon



005 - November 30, 1862: Mrs. Austin



006 - December 20, 1862: Sir Alexander Duff Gordon



007 - February 11, 1863: Sir Alexander Duff Gordon



008 - March 7, 1863: Mrs. Austin



009 - March 10, 1863: Sir Alexander Duff Gordon



010 - April 9, 1863: Mrs. Austin



011 - April 13, 1863: Sir Alexander Duff Gordon



012 - April 18, 1863: Mr. Tom Taylor



013 - May 12, 1863: Mrs. Austin



014 - May 12, 1863: Sir Alexander Duff Gordon



015 - May 21, 1863: Mrs. Austin



016 - May 25, 1863: Sir Alexander Duff Gordon



017 - October 19, 1863: Sir Alexander Duff Gordon



018 - October 26, 1863: Sir Alexander Duff Gordon



019 - October 31, 1863: Sir Alexander Duff Gordon



020 - November 14, 1863: Sir Alexander Duff Gordon



021 - November 21, 1863: Mrs. Austin



022 - December 1, 1863: Mrs. Ross



023 - December 2, 1863: Sir Alexander Duff Gordon



024 - December 17, 1863: Sir Alexander Duff Gordon



025 - December 27, 1863: Mrs. Austin



026 - January 3, 1864: Sir Alexander Duff Gordon



027 - January 5, 1864: Sir Alexander Duff Gordon



028 - January 20, 1864: Sir Alexander Duff Gordon



029 - February 7, 1864: Mrs. Austin



030 - February 8, 1864: Mrs. Ross



031 - February 12, 1864: Sir Alexander Duff Gordon



032 - February 19, 1864: Mrs. Austin



033 - February 26, 1864: Sir Alexander Duff Gordon



034 - March 1, 1864: Mrs. Austin



035 - March 7, 1864: Sir Alexander Duff Gordon



036 - March 16, 1864: Mr. Tom Taylor



037 - March 22, 1864: Sir Alexander Duff Gordon



038 - April 6, 1864: Sir Alexander Duff Gordon



039 - April 7, 1864: Mrs. Ross



040 - April 14, 1864: Sir Alexander Duff Gordon



041 - May 15, 1864: Sir Alexander Duff Gordon



042 - May 23, 1864: Mrs. Austin



043 - June 12, 1864: Sir Alexander Duff Gordon



044 - June 26, 1864: Sir Alexander Duff Gordon



045 - August 13, 1864: Sir Alexander Duff Gordon



046 - October 9, 1864: Sir Alexander Duff Gordon



047 - October 21, 1864: Mrs. Austin



048 - December 23, 1864: Mrs. Austin



049 - January 2, 1865: Mrs. Austin



050 - January 8, 1865: Dowager Lady Duff Gordon



051 - January 9, 1865: Mrs. Austin



052 - February 7, 1865: Miss Austin



053 - February 7, 1867: Sir Alexander Duff Gordon



054 - February 7, 1865: Mrs. Ross



055 - March 13, 1865: Mrs. Austin



056 - March 25, 1865: Mrs. Ross



057 - March 30, 1865: Sir Alexander Duff Gordon



058 - April 3, 1865: Mrs. Austin



059 - April 3, 1865: Mrs. Ross



060 - April, 1865: Sir Alexander Duff Gordon



061 - April 29, 1865: Mrs. Austin



062 - May, 1865: Sir Alexander Duff Gordon



063 - June 16, 1865: Sir Alexander Duff Gordon



064 - October 28, 1865: Mrs. Austin



065 - November 2, 1865: Mrs. Austin



066 - November 27, 1865: Mrs. Austin



067 - December 5, 1865: Mrs. Austin



068 - December 25, 1865: Sir Alexander Duff Gordon



069 - January 3, 1866: Maurice Duff Gordon



070 - January 15, 1866: Sir Alexander Duff Gordon



071 - February 7, 1886: Mrs. Austin



072 - February 15, 1866: Mrs. Austin



073 - February 22, 1866: Mrs. Ross



074 - February 22, 1866: Sir Alexander Duff Gordon



075 - March 6, 1866: Sir Alexander Duff Gordon



076 - March 17, 1866: Sir Alexander Duff Gordon



077 - March 31, 1866: Sir Alexander Duff Gordon



078 - April, 1866: Mrs. Ross



079 - April, 1866: Mrs. Austin



080 - May 10, 1866: Sir Alexander Duff Gordon



081 - June 22, 1866: Maurice Duff Gordon



082 - July 10, 1866: Mrs. Austin



083 - July 17, 1866: Sir Alexander Duff Gordon



084 - August 20, 1866: Sir Alexander Duff Gordon



085 - August 27, 1866: Sir Alexander Duff Gordon



086 - September 21, 1866: Sir Alexander Duff Gordon



087 - September 21, 1866: Mrs. Austin



088 - October 15, 1866: Sir Alexander Duff Gordon



089 - October 19, 1866: Sir Alexander Duff Gordon



090 - October 25, 1866: Mrs. Austin



091 - November 21, 1866: Sir Alexander Duff Gordon



092 - December 5, 1866: Mrs. Ross



093 - December 31, 1866: Sir Alexander Duff Gordon



094 - January 12, 1867: Sir Alexander Duff Gordon



095 - January 14, 1867: Mrs. Austin



096 - January 22, 1867: Sir Alexander Duff Gordon



097 - January 26, 1867: Mrs. Austin



098 - February 3, 1867: Sir Alexander Duff Gordon



099 - March 6, 1867: Mrs. Austin



100 - March 7, 1867: Sir Alexander Duff Gordon



101 - April 12, 1867: Mrs. Austin



102 - April 19, 1867: Sir Alexander Duff Gordon



103 - May 15, 1867: Sir Alexander Duff Gordon



104 - May 23, 1867: Mrs. Austin



105 - June 30, 1867: Sir Alexander Duff Gordon



106 - July 8, 1867: Sir Alexander Duff Gordon



107 - July 28, 1867: Mrs. Austin



108 - July 28, 1867: Mrs. Austin



109 - August 7, 1867: Sir Alexander Duff Gordon



110 - August 8, 1867: Mrs. Austin



111 - September 7, 1867: Sir Alexander Duff Gordon



112 - October 17, 1867: Sir Alexander Duff Gordon



113 - October 21, 1867: Sir Alexander Duff Gordon



114 - November 3, 1867: Mrs. Ross



115 - December 20, 1867: Sir Alexander Duff Gordon



116 - January, 1868: Sir Alexander Duff Gordon



117 - April, 1868: Sir Alexander Duff Gordon



118 - May, 1868: Sir Alexander Duff Gordon



119 - June 14, 1868: Sir Alexander Duff Gordon



120 - October 22, 1868: Sir Alexander Duff Gordon



121 - November 6, 1868: Sir Alexander Duff Gordon



122 - January 25, 1869: Sir Alexander Duff Gordon



123 - June 15, 1869: Sir Alexander Duff Gordon



124 - July 9, 1869: Sir Alexander Duff Gordon


INTRODUCTION

The letters of Lady Duff Gordon are an introduction to her in person.  She wrote as she talked, and that is not always the note of private correspondence, the pen being such an official instrument.  Readers growing familiar with her voice will soon have assurance that, addressing the public, she would not have blotted a passage or affected a tone for the applause of all Europe.  Yet she could own to a liking for flattery, and say of the consequent vanity, that an insensibility to it is inhuman.  Her humour was a mouthpiece of nature.  She inherited from her father the judicial mind, and her fine conscience brought it to bear on herself as well as on the world, so that she would ask, ‘Are we so much better?’ when someone supremely erratic was dangled before the popular eye.  She had not studied her Goethe to no purpose.  Nor did the very ridiculous creature who is commonly the outcast of all compassion miss having the tolerant word from her, however much she might be of necessity in the laugh, for Molière also was of her repertory.  Hers was the charity which is perceptive and embracing: we may feel certain that she was never a dupe of the poor souls, Christian and Muslim, whose tales of simple misery or injustice moved her to friendly service.  Egyptians, consule Junio, would have met the human interpreter in her, for a picture to set beside that of the vexed Satirist.  She saw clearly into the later Nile products, though her view of them was affectionate; but had they been exponents of original sin, her charitableness would have found the philosophical word on their behalf, for the reason that they were not in the place of vantage.  The service she did to them was a greater service done to her country, by giving these quivering creatures of the baked land proof that a Christian Englishwoman could be companionable, tender, beneficently motherly with them, despite the reputed insurmountable barriers of alien race and religion.  Sympathy was quick in her breast for all the diverse victims of mischance; a shade of it, that was not indulgence, but knowledge of the roots of evil, for malefactors and for the fool.  Against the cruelty of despotic rulers and the harshness of society she was openly at war, at a time when championship of the lowly or the fallen was not common.  Still, in this, as in everything controversial, it was the μηδὲν ἄyαν with her.  That singular union of the balanced intellect with the lively heart arrested even in advocacy the floods pressing for pathos.  Her aim was at practical measures of help; she doubted the uses of sentimentality in moving tyrants or multitudes to do the thing needed.  Moreover, she distrusted eloquence, Parliamentary, forensic, literary; thinking that the plain facts are the persuasive speakers in a good cause, and that rhetoric is to be suspected as the flourish over a weak one.  Does it soften the obdurate, kindle the tardily inflammable?  Only for a day, and only in cases of extreme urgency, is an appeal to emotion of value for the gain of a day.  Thus it was that she never forced her voice, though her feelings might be at heat and she possessed the literary art.

She writes from her home on the Upper Nile: ‘In this country one gets to see how much more beautiful a perfectly natural expression is than any degree of the mystical expression of the best painters.’  It is by her banishing of literary colouring matter that she brings the Arab and Copt home to us as none other has done, by her unlaboured pleading that she touches to the heart.  She was not one to ‘spread gold-leaf over her acquaintances and make them shine,’ as Horace Walpole says of Madame de Sévigné; they would have been set shining from within, perhaps with a mild lustre; sensibly to the observant, more credibly of the golden sort.  Her dislike of superlatives, when the marked effect had to be produced, and it was not the literary performance she could relish as well as any of us, renders hard the task of portraying a woman whose character calls them forth.  To him knowing her, they would not fit; her individuality passes between epithets.  The reading of a sentence of panegyric (commonly a thing of extension) deadened her countenance, if it failed to quicken the corners of her lips; the distended truth in it exhibited the comic shadow on the wall behind.  That haunting demon of human eulogy is quashed by the manner she adopted, from instinct and training.  Of her it was known to all intimate with her that she could not speak falsely in praise, nor unkindly in depreciation, however much the constant play of her humour might tempt her to exalt or diminish beyond the bounds.  But when, for the dispersion of nonsense about men or things, and daintiness held up the veil against rational eyesight, the gros mot was demanded, she could utter it, as from the Bench, with a like authority and composure.

In her youth she was radiantly beautiful, with dark brows on a brilliant complexion, the head of a Roman man, and features of Grecian line, save for the classic Greek wall of the nose off the forehead.  Women, not enthusiasts, inclined rather to criticize, and to criticize so independent a member of their sex particularly, have said that her entry into a ballroom took the breath.  Poetical comparisons run under heavy weights in prose; but it would seem in truth, from the reports of her, that wherever she appeared she could be likened to a Selene breaking through cloud; and, further, the splendid vessel was richly freighted.  Trained by a scholar, much in the society of scholarly men, having an innate bent to exactitude, and with a ready tongue docile to the curb, she stepped into the world armed to be a match for it.  She cut her way through the accustomed troops of adorers, like what you will that is buoyant and swims gallantly.  Her quality of the philosophical humour carried her easily over the shoals or the deeps in the way of a woman claiming her right to an independent judgement upon the minor rules of conduct, as well as upon matters of the mind.  An illustrious foreigner, en tête-à-tête with her over some abstract theme, drops abruptly on a knee to protest, overpowered; and in that posture he is patted on the head, while the subject of conversation is continued by the benevolent lady, until the form of ointment she administers for his beseeching expression and his pain compels him to rise and resume his allotted part with a mouth of acknowledging laughter.  Humour, as a beautiful woman’s defensive weapon, is probably the best that can be called in aid for the bringing of suppliant men to their senses.  And so manageable are they when the idea of comedy and the chord of chivalry are made to vibrate, that they (supposing them of the impressionable race which is overpowered by Aphrodite’s favourites) will be withdrawn from their great aims, and transformed into happy crust-munching devotees—in other words, fast friends.  Lady Duff Gordon had many, and the truest, and of all lands.  She had, on the other hand, her number of detractors, whom she excused.  What woman is without them, if she offends the conventions, is a step in advance of her day, and, in this instance, never hesitates upon the needed occasion to dub things with their right names?  She could appreciate their disapproval of her in giving herself the airs of a man, pronouncing verdicts on affairs in the style of a man, preferring association with men.  So it was; and, besides, she smoked.  Her physician had hinted at the soothing for an irritated throat that might come of some whiffs of tobacco.  She tried a cigar, and liked it, and smoked from that day, in her library chair and on horseback.  Where she saw no harm in an act, opinion had no greater effect on her than summer flies to one with a fan.  The country people, sorely tried by the spectacle at first, remembered the gentle deeds and homely chat of an eccentric lady, and pardoned her, who was often to be seen discoursing familiarly with the tramp on the road, incapable of denying her house-door to the lost dog attached by some instinct to her heels.  In the circles named ‘upper’ there was mention of women unsexing themselves.  She preferred the society of men, on the plain ground that they discuss matters of weight, and are—the pick of them—of open speech, more liberal, more genial, better comrades.  Was it wonderful to hear them, knowing her as they did, unite in calling her cœur d’or?  And women could say it of her, for the reasons known to women.  Her intimate friendships were with women as with men.  The closest friend of this most manfully-minded of women was one of her sex, little resembling her, except in downright truthfulness, lovingness, and heroic fortitude.

The hospitable house at Esher gave its welcome not merely to men and women of distinction; the humble undistinguished were made joyous guests there, whether commonplace or counting among the hopeful.  Their hostess knew how to shelter the sensitively silent at table, if they were unable to take encouragement and join the flow.  Their faces at least responded to her bright look on one or the other of them when something worthy of memory sparkled flying.  She had the laugh that rocks the frame, but it was usually with a triumphant smile that she greeted things good to the ear; and her own manner of telling was concise, on the lines of the running subject, to carry it along, not to produce an effect—which is like the horrid gap in air after a blast of powder.  Quotation came when it sprang to the lips and was native.  She was shrewd and cogent, invariably calm in argument, sitting over it, not making it a duel, as the argumentative are prone to do; and a strong point scored against her received the honours due to a noble enemy.  No pose as mistress of a salon shuffling the guests marked her treatment of them; she was their comrade, one of the pack.  This can be the case only when a governing lady is at all points their equal, more than a player of trump cards.  In England, in her day, while health was with her, there was one house where men and women conversed.  When that house perforce was closed, a light had gone out in our country.

The fatal brilliancy of skin indicated the fell disease which ultimately drove her into exile, to die in exile.  Lucie Duff Gordon was of the order of women of whom a man of many years may say that their like is to be met but once or twice in a lifetime.

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