De L'Orme

G.P.R. James was a historian and novelist, who took well-documented historical events and characters and wove stories around minor or imaginary actors in the events. In this work, set in seventeenth century France, we follow the adventures of young Louis, heir to the Count of Bigorre, after an encounter with the vindictive Marquis de Saint Brie forces him into exile. The tale wends its way inexorably towards the Battle of Marfee in the 30 years War and the death of the Count of Soissons in a failed coup against the much hated minister, Cardinal de Richelieu. Young love, a brush with the law, card sharks, a deadly avalanche-- life is definitely interesting for the young adventurer.


By : George Payne Rainsford James (1799 - 1860)

01 - Chapter I



02 - Chapter II



03 - Chapter III



04 - Chapter IV



05 - Chapter V



06 - Chapter VI



07 - Chapter VII



08 - Chapter VIII



09 - Chapter IX



10 - Chapter X



11 - Chapter XI



12 - Chapter XII



13 - Chapter XIII



14 - Chapter XIV



15 - Chapter XV



16 - Chapter XVI



17 - Chapter XVII



18 - Chapter XVIII



19 - Chapter XIX



20 - Chapter XX



21 - Chapter XXI



22 - Chapter XXII



23 - Chapter XXIII



24 - Chapter XXIV



25 - Chapter XXV



26 - Chapter XXVI



27 - Chapter XXVII



28 - Chapter XXVIII



29 - Chapter XXIX



30 - Chapter XXX



31 - Chapter XXXI



32 - Chapter XXXII



33 - Chapter XXXIII



34 - Chapter XXXIV



35 - Chapter XXXV



36 - Chapter XXXVI



37 - Chapter XXXVII



38 - Chapter XXXVIII



39 - Chapter XXXIX



40 - Chapter XL



41 - Chapter XLI



42 - Chapter XLII



43 - Chapter XLIII



44 - Chapter XLIV



45 - Chapter XLV



46 - Chapter XLVI



47 - Chapter XLVII



48 - Chapter XLVIII



49 - Chapter XLIX


Romance writing, when rightly viewed and rightly treated, is of the same nature as the teaching by parables of the eastern nations; and I believe, when high objects are steadily kept in view and good principles carefully inculcated, it may prove far more generally beneficial than more severe forms of instruction.

The man who is already virtuous and wise, or who, at least, seeks eagerly to be so, takes up the Essay or the Lecture, and reads therein the sentiments ever present in his own heart. But while the same man may find equal pleasure in the work of fiction addressed to the same great ends, how many thousands are there who will open the pages of the Novel or the Romance, but who would avoid anything less amusing to their fancy? If, then, while we excite their imagination with pleasant images, we can cause the latent seeds of virtue to germinate in their hearts; if we can point out the consequences of errors, follies, and crimes; if we can recall good feelings fleeting away, or crush bad ones rising up under temptation,--and that we can do so with great effect, may be safely asserted,--we can benefit, in the most essential particular, a large body of our fellow-men; a much larger body, I fear, than that which can be attracted by anything that does not wear the form of amusement.

Such has been my conviction ever since I entered upon a career in which the public has shown me such undeserved encouragement; and with such a purpose, and for such an object, have I always written. In some works I have striven alone to impress those general principles of honour and virtue, and those high and elevated feelings, which do not seem to me to be increasing in the world. In others, I have endeavoured to advocate, without seeming too much to do so, some particular principle, or to warn against some particular error. In the following pages my purpose was to expose the evil consequences of an ill-regulated spirit of enterprise and a love of adventure, and to deter from errors, the magnitude of which I may have felt by sharing in them.

To do so, it was necessary to choose as my subject the life of a young man placed in circumstances of difficulty and temptation; and no writer can ever hope to produce a good effect by painting man otherwise than man is.

At the same time I have ever been convinced that no benefit can ensue from drawing the mind of the reader through long scenes of vice and guilt, for the sake of a short moral at the end; and in writing the history of the Count de l'Orme, I determined to show, as was absolutely necessary, that he was led by the love of adventure into error nearly approaching to guilt: but to dwell upon his errors no longer than was absolutely required; to point out, even while I related them, that their consequences were terrible; and to make the great bulk of the book display a life of regret, pain and difficulty, consequent upon the fault I sought to reprehend. This I have done to the best of my judgment, restricting all details of the error into which the principal character of the book fell, to some ten or twelve pages. Having read those pages again, after a lapse of many years, with the deepest attention and consideration, I send them forth with scarcely an alteration; being firmly convinced, that the mind which can contract any evil from the terrible scene which they depict--a scene which, I have every reason to believe, really occurred--must be foul and corrupt ere it sits down to the perusal. One thing I certainly know, that those pages were written in the spirit of purity, and with the purpose of good; and I will never believe that such feelings can generate, in the breast of others, likewise pure, aught but their own likeness.

De l'Orme was first published in 1830, and was written while I was residing in France. The incidents, however, had been collected and arranged long before, and only required form and compression. For some curious details regarding the battle of Sedan I was indebted to a gentleman of that city, and I believe the facts of the famous revolt of the Count of Soissons will be found historically correct, even to very minute particulars.

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