Life and Lillian Gish

An authorized biography of Lillian Gish, the renowned silent film star known in her heyday as the First Lady of American Cinema. Albert Bigelow Paine chronicles Gish's early life, her close relationship with her sister Dorothy, her rise in film as an actor with Biograph Studios and muse of D. W. Griffith, her short time as a contract actor with MGM, and her return to the stage in the advent of the talkies. Peppered throughout with intimate and amusing anecdotes, this is a must-read for film historians, silent film enthusiasts, and admirers of one of cinema's legendary talents.


By : Albert Bigelow Paine (1861 - 1937)

00 - Epigraph



01 - Prologue



02 - A Girl Child, Born with a Caul



03 - Life and a Little Girl



04 - On Nat Goodwin's Shoulder



05 - 'Theatre People'



06 - A Little Trouper



07 - Adventures of Dorothy



08 - Mary Pickford in the Scene



09 - 'Down the Line'



10 - 'Her First False Step'



11 - Dorothy's Tree



12 - 'Supporting Bernhardt'



13 - Massillon Days



14 - Where the 'Road' Ends. Nell



15 - A Convent School. Typhoid



16 - Shawnee



17 - It Sounds Like Heaven



18 - 'Mr. Biograph'



19 - Griffith's Group of Players



20 - Belasco Delivers a Verdict



21 - A Studio on Pico Street



22 - The Path to Stardom



23 - 'Home Sweet Home'



24 - 'The Birth of a Nation'



25 - 'Intolerance'



26 - There Were No Love Affairs



27 - The Nightmare of War



28 - Under Fire



29 - France



30 - 'Hearts of the World'



31 - 'Broken Blossoms'



32 - 'I Work Such Long Hours'



33 - Director Lillian



34 - 'Way Down East'



35 - Sad, Unprofitable Days



36 - Picturing the Reign of Terror



37 - Italy



38 - 'The White Sister'



39 - 'Romola'



40 - Also, the Intelligentsia



41 - 'La Bohême'



42 - 'The Scarlet Letter'



43 - 'The First Lady of the Screen'



44 - 'Wind'



45 - Good-bye California



46 - Reinhardt



47 - The Shadow Speaks



48 - On the Flying Carpet



49 - 'One Romantic Night'



50 - 'Uncle Vanya'



51 - 'Helena' in New York



52 - 'The Penalty of Greatness'



53 - Working with Lillian



54 - 'Uncle Vanya' Takes the Road



55 - Reliving the Years



56 - A Few Notes



57 - L'Envoi


“Tranquilly, Lillian Gish sits, dressed in white organdie, her ash blond hair down her back, relaxed on the window seat, looking out for hours into the depths of the California night.

“‘What are you looking at, Lillian?’ Mrs. Gish has asked for years.

“‘Nothing, Mother, just looking.’”

Allene Talmey.
“She is an extraordinarily difficult person to know, and if I hadn’t gone to live with her ... and been with her through some of the most trying times of her life, I doubt whether our casual contacts at the studio would have brought me any intimate knowledge of her. There seems to be a wall of reserve between her and the outside world, and very few people ever get through that wall.

“The little things of life simply don’t worry her at all. Gales of temperament can rage around her—she remains undisturbed.... I have seen her at a time when anyone else would have been distraught with anxiety, come quietly in from the set, eat her luncheon calmly and collectedly (for first of all, Lillian believes in keeping fit for her work), then pick up some little book of philosophy and read it steadily until they sent for her.

“She refuses to believe that there are people in the world who are jealous of her and want to harm her. I remember someone once remarking that a certain person was jealous of her and hated her, and I can still see the look of utter surprise on Lillian’s face. But it never made any difference in her treatment of that person. In fact, I doubt whether she remembered it when she met her again.

“She is intensely loyal to those who have helped her along the path of success. She likes to be alone. She has an inexhaustible fund of patience, and a quiet sense of humor.”

Phyllis Moir
(secretary to Lillian, 1925-27)

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