So what is the crown of life? Follow the journey of Piers and Irene as they attempt to discover. It is both a coming of age novel and love story at the same time, one which would bring delight to philosophers with many conversations for and against imperialism, romantics who would follow the long courtship in the center of the plot, and sociologists who would follow with interest the vivid way in which George Gissing describes the society in which he lived.
By : George Gissing (1857 - 1903)
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Amid the throng of suburban arrivals volleyed forth from Waterloo Station on a May morning in the year '86, moved a slim, dark, absent-looking young man of one-and-twenty, whose name was Piers Otway. In regard to costume—blameless silk hat, and dark morning coat with lighter trousers—the City would not have disowned him, but he had not the City countenance. The rush for omnibus seats left him unconcerned; clear of the railway station, he walked at a moderate pace, his eyes mostly on the ground; he crossed the foot-bridge to Charing Cross, and steadily made his way into the Haymarket, where his progress was arrested by a picture shop.
A window hung with engravings, mostly after pictures of the day; some of them very large, and attractive to a passing glance. One or two admirable landscapes offered solace to the street-wearied imagination, but upon these Piers Otway did not fix his eye; it was drawn irresistibly to the faces and forms of beautiful women set forth with varied allurement. Some great lady of the passing time lounged in exquisite array amid luxurious furniture lightly suggested; the faint smile of her flattered loveliness hovered about the gazer; the subtle perfume of her presence touched his nerves; the greys of her complexion transmuted themselves through the current of his blood into life's carnation; whilst he dreamed upon her lips, his breath was caught, as though of a sudden she had smiled for him, and for him alone. Near to her was a maiden of Hellas, resting upon a marble seat, her eyes bent towards some AEgean isle; the translucent robe clung about her perfect body; her breast was warm against the white stone; the mazes of her woven hair shone with unguent. The gazer lost himself in memories of epic and idyll, warming through worship to desire. Then his look strayed to the next engraving; a peasant girl, consummate in grace and strength, supreme in chaste pride, cheek and neck soft-glowing from the sunny field, eyes revealing the heart at one with nature. Others there were, women of many worlds, only less beautiful; but by these three the young man was held bound. He could not satisfy himself with looking and musing; he could not pluck himself away. An old experience; he always lingered by the print shops of the Haymarket, and always went on with troubled blood, with mind rapt above familiar circumstance, dreaming passionately, making wild forecast of his fate.
At this hour of the morning not many passers had leisure to stand and gaze; one, however, came to a pause beside Piers Otway, and viewed the engravings. He was a man considerably older; not so well dressed, but still, on the strength of externals, entitled to the style of gentleman; his brown, hard felt hat was entirely respectable, as were his tan gloves and his boots, but the cut-away coat began to hint at release from service, and the trousers owed a superficial smartness merely to being tightly strapped. This man had a not quite agreeable face; inasmuch as it was smoothly shaven, and exhibited a peculiar mobility, it might have denoted him an actor; but the actor is wont to twinkle a good-natured mood which did not appear upon this visage. The contour was good, and spoke intelligence; the eyes must once have been charming. It was a face which had lost by the advance of years; which had hardened where it was soft, and seemed likely to grow harder yet; for about the lips, as he stood examining these pictures, came a suggestion of the vice in blood which tends to cruelty. The nostrils began to expand and to tremble a little; the eyes seemed to project themselves; the long throat grew longer. Presently, he turned a glance upon the young man standing near to him, and in that moment his expression entirely altered.
"Why," he exclaimed, "Piers!"
The other gave a start of astonishment, and at once smiled recognition.
"Daniel! I hadn't looked—I had no idea——" They shook hands, with graceful cordiality on the elder man's part, with a slightly embarrassed goodwill on that of the younger. Daniel Otway, whose age was about eight-and-thirty, stood in the relation of half-brotherhood to Piers, a relation suggested by no single trait of their visages. Piers had a dark complexion, a face of the square, emphatic type, and an eye of shy vivacity; Daniel, with the long, smooth curves of his countenance and his chestnut hair was, in the common sense, better looking, and managed his expression with a skill which concealed the characteristics visible a few moments ago; he bore himself like a suave man of the world, whereas his brother still betrayed something of the boy in tone and gesture, something, too, of the student accustomed to seclusion. Daniel's accent had nothing at all in keeping with a shabby coat; that of the younger man was less markedly refined, with much more of individuality...
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